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Directing & Creative Work 

CREATING SONG IN 360

Featuring Lori Laitman's "Last Night the Rain Spoke to Me"

Creating Song in 360 reimagines art song as a relevant, accessible, and participatory genre within a virtual space to bring classical music audiences out of their seats and onto the stage. The purpose of this project is to experiment with VR application to classical vocal music, develop effective VR music experiences to engage new audiences, and expand access to classical music. Creating Song in 360 demonstrates how singers can harness VR to engage broader, modern audiences. Imagine what sitting right next to the pianist watching his hands glide across the keys or seeing a soprano’s ribs expand to create immense sound. This prototype challenges traditional concert conventions by inviting audiences into an intimate, embodied relationship with art song. Initial findings from an informal survey of 20 participants suggest that VR has a strong impact on audience engagement and accessibility. Results indicate that 75% of participants felt a stronger connection to the music in VR, while 85% described the experience as more immersive and accessible than a traditional performance. Notably, individuals with little or no prior exposure to classical music reported the highest levels of engagement, pointing to VR’s potential as an entry point for new audiences. Additionally, 50% of participants expressed increased likelihood of attending live performances after the experience, suggesting crossover potential between digital and in-person engagement. Participants highlighted the excitement of being “on stage,” the intimacy of close proximity to performers, and the freedom to explore the performance space. However, technical limitations—including video quality, audio delivery, and headset comfort—were identified as areas for improvement. While these findings are preliminary, Creating Song in 360 demonstrates the promising potential of immersive technology to expand the reach, accessibility, and emotional impact of art song, offering a compelling vision for the future of classical music.

ARC 2.0: Contra

On April 20, 2019, ARC presented its second performance hosted by the University of Pennsylvania School of Design. Pairing classical art song with projected visuals, the performance explored the human experience of love and its effect on our perception of identity. Produced by David Sliski, the performance featured soprano and creative director Erin Alcorn, filmmaker Michael McGuirk, pianist Ting Ting Wong, and guitarist Lenny Ranallo. The performance also incorporated artwork by Penn students and fashion by the School of Design’s PennLooks program curated by Project Runway finalist Nancy Volpe Beringer. Guests will enjoy dinner and libations and a DJed after party for mingling and discussion. ARC’s mission is to bring exposure to and engagement of new listeners of the collaborative arts by bringing artists of various mediums together to create powerful immersive experiences.

ARC: Audio Reactive Cinema

A collaboration between local Philadelphia musicians and students at University of Pennsylvania, ARC's debut sets an art song performance in an urban Philly garden accompanied by curated cinema. The recital told a love story using the simplest tools - oral tradition and stock footage, juxtaposing the conventions of what is popular with raw human emotion. In a world of commercialized romance, virtual living, and monetized escapism, Arc explores truth and our understanding of what is real. ARC’s mission is to bring exposure to and engagement of new listeners of the collaborative arts by bringing artists of various mediums together to create powerful immersive experiences.

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